Showing posts with label DVD review. Show all posts
Showing posts with label DVD review. Show all posts

12.06.2008

Various Artists -- 'Vans Warped Tour 2007' [DVD review]


Vans Warped Tour 2007 [DVD]
Image Entertainment (12/2/08)
Unrated
60 minutes


A year too late, this video compilation of live performances and artist interviews from the 2007 Warped Tour has finally hit shelves, and unfortunately does its best to underwhelm fans.

Sure, there's some good stuff on here, most notably killer performances from punk legends Bad Religion and Pennywise, as well as solid showings from Coheed and Cambria, and Killswitch Engage.

But for all that is good, there’s plenty of filler, with weak offerings from Pepper, Sum 41 and The Starting Line juxtaposed against unmemorable cuts from the likes of Chiodos and Fishbone.

The problem is, this collection really offers nothing more than a taste, featuring a single song from a broad mix of a scant collection from what the tour has to offer. Put aside the question of whether bands like Killswitch Engage or Avenged Sevenfold belong on the tour; the single-song offerings keep the running time to an hour at the expense of giving you anything of substance or even a real handle of what this tour was like. The producers could have doubled the running time to either offer more songs from the same acts, or at the very least more songs from more acts. Sure, a single song from 22 instead of 11 bands is still light on substance, but at least it gives us a bigger collection. For best effect, there probably should have been a single song from the lesser-known acts and then, for bands like Bad Religion, give at least three songs.

Then there's the choice of interview and performance footage. Why offer interviews with Paramore, The Almost or Meg & Dia but then no performance footage from those bands? Paramore is a particular quandary given the band's rise over the past year.

As for the nuts and bolts, the video is offered up in 1:33:1 with a nice Surround audio track, and there are a handful of bonus songs and interviews to be had as bonus footage.

So basically, what you have here is a perfectly suitable extended commercial for Warped Tour. And if the aim was to chronicle the tour's 13th anniversary, well ... see above for all the shortcomings. With over a year to compile and put this thing together, fans deserved a lot more, especially when you look at the superior audio sets the tour has put out over the years.

6.05.2008

Story of the Year -- 'Our Time is Now' [DVD review]


Story of the Year - Our Time is Now
Image Entertainment (05/13/08)
Unrated
100 minutes


There’s really only one group of people who would be interested in the new Story of the Year DVD, Our Time is Now: fans of the band.

The disc, subtitled Two years in the life of …, is basically a collection of home video shot by the band over a two-year span of touring. It’s the usual montage of backstage antics and tour-related tomfoolery. And while there’s moments of live performances captured, apart from three or four songs sprinkled through the hour-and-a-half-plus on the main feature (with accompanying black and white grainy footage, for some reason), it’s pretty much a documentary of the band’s life off-stage.

The special features are the more interesting aspects of the disc: an hour-plus making of In the Wake of Determination, the band’s 2005 release; two “making the video” documentaries for “We Don’t Care Anymore” and “Take Me Back” (and the corresponding videos); some deleted scenes; and a unnecessary trailer for the DVD. It's neither groundbreaking nor cutting edge, but manages to do the job.

Since it’s all shot on a home video, the video quality is to be expected (read slightly grainy at times and not too polished), and is all presented in 1:33:1 aspect ratio. The sound is clear and crisp for the most part (there’s some hairy moments shot from the stage where the sound is completely blown out), and is presented in stereo (no need for surround).

This sort of stuff isn’t groundbreaking. For example, back in the early ’90s Skid Row released two similar videos, but instead of solely being a collection of home video footage, the band also offered up a hefty set of live songs from throughout the tour, and also a collection of music videos. For what it is, Our Time is Now is fine, but this wasn’t the most interesting time in the band’s history (making the sophomore album after years of touring). The more interesting video would have been shot prior to the band's major-label release, a video that would have told the story of a band struggling to get noticed, earning a record contract and then going out to prove itself. There’s no drama here, just a group of guys who already “made it” that now have the privilege to goof off and presume fans care. Well, fans will, but not too many others will.

5.15.2008

Various Artists -- 'Gigantour 2' [DVD review]


Gigantour 2 [DVD]
Image Entertainment (4/22/08)
Unrated
66 minutes


"Gigantour is the spirit of heavy metal captured in a festival. It was about people going there, and the musicians being treated with respect, and an audience feeling like they’ve been treated with respect. And everybody walking away—the entertainers and the entertained all in agreement that it was a great environment.”
—Dave Mustaine

With Ozzfest down to one show this year, Gigantour seems a worthy successor to be the summer festival to carry the torch of metal to the masses. While on face value there appears little difference between the two tours, Ozzfest tried to pack a lot of bang for the buck, shoehorning more than a dozen bands into the course of a single head-banging day. Many a year it seemed quantity ruled over quality, though with so many bands from which to choose, concertgoers still got their money's worth in the end.

2.12.2008

'Kurt Cobain: About a Son' [DVD review]



Kurt Cobain: About a Son
Shout! Factory/Sidetrack Films (2/19/08)
Unrated
135 minutes




"There's this very hushed, late night, intimate feeling to those conversations that I didn't even really realize was there because it was just me talking to Kurt. But, looking back on it, there's this, you know... it's not like a regular interview situation. It's just two people talking."

—Michael Azerrad



The documentary Kurt Cobain: About a Son can be summed up two words: Simply phenomenal.


Culled from more than 25 hours of audiotaped conversations between Cobain and writer Michael Azerrad (who was working on his book Come As You Are: The Story of Nirvana at the time) around the end of 1992 and beginning of 1993, the film basically tells the story of the fallen rock star in his own words. It is a moving tale, where Cobain shares intimate details of his early childhood growing up in Aberdeen, Wash., and subsequent moves to Olympia, Wash., and Seattle. He appears to hold nothing back, talking about his relationship with his mother and father, his unpleasant school years, his efforts to build a band, struggles with fame and drugs, and ultimate (apparent) acceptance of his life.


"Virtually all these conversations took place starting around midnight at Kurt's house," Azerrad said in an interview on the DVD. "He would wake up at three in the afternoon, or so, typically everyday, go about his business and then, you know, kind of call me that evening and say, 'OK, I’m ready. Come by.'


"And so, we'd sit down, either in the living room with the TV set on in the background, and talk, or we'd be up in the kitchen. ... His kitchen overlooked this lake where bi-planes would land sometimes. We'd just sit at his kitchen table and often talk 'til, you know, dawn. And the sun would come up and the bi-planes would start landing on the lake and we'd just kick back and watch."


Since the audience knows how the story ultimately ends, many of the discussions are all the more haunting—from Cobain's frank discussion about how and why he started using hard drugs, to his disgust and distain for the journalists that were always looking for an angle. Perhaps nothing is as striking as when, while discussing the physical pain he had endured for most of his life, he talks about "blowing [his] head off" and killing himself.


But for every haunting moment, there's also some extremely humanizing moments hidden on here, too. Most poignant is when, toward the end of the film, wife Courtney Love calls to Cobain and asks him to begin preparing a bottle for the baby in a few minutes. Sadly, a side of the star not many ever got the chance to see.


The film itself is extremely simple. The star here is the audio of Cobain. Director AJ Schnack traveled around Washington gathering images and video of the various places Cobain grew up, lived in or talked about. In an attempt to have a sort of underlying current, there are also many portraits of the locals, meant to show the juxtaposition between the towns that are in so close proximity to one another.


As a final touch, music from many of Cobain's favorite bands is mixed in for good measure. Tracks from Queen, David Bowie, Leadbelly, Scratch Acid and Butthole Surfers (to name only a few) accentuate the proceedings. When Cobain talks about taking a nap in his father's van when spending the day with him at work, and listening to an eight-track of Queen, you hear the song he's talking about.


About a Son debuted at the Toronto International Film Festival in 2006, was nominated for a 2007 Independent Spirit Award and was screened at numerous top international film festivals around the world. Rolling Stone has called it "the movie that's moving audiences to tears."


Sure, there have been other documentaries about Cobain in the past; none of this is new material. But never before have you heard it all straight from him. The visuals are expertly shot, but not a necessity. At any point you can simply shut your eyes and listen to the stories.


The movie is presented in 16:9 widescreen, with 5.1 Dolby Digital surround. In addition to the movie, the DVD also contains a featurette on the making of the film (where the quotes in this review came from), some selected scene commentary with Schnack and another feature on scouting video.


This is, by far, not only the best Cobain documentary to come out, but one of the best rock documentaries to come out, period. As Schnack points out, nothing really ties this to a time or place. It's just the story of a man who had a not-so-great childhood, struggled for a few years and hit it big with his band. You don't have to be a fan of Nirvana to love this movie. At its core, it's nothing more than a moving true story with a tragic ending.


As Azerrad sums it up: "Kurt Cobain was a person just like everybody else. He cried and laughed and loved his child and loved his wife and was frustrated and happy and jovial and all those things. And, I think a lot of that has been taken away from his in the intervening years since his death. He's just become an icon, and an enigma. You know, kind of dehumanized."